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Beethoven Piano Sonata No. 13 in E-flat Major, Op.27 No.1 Second Movement Analysis
The second movement is in a fast Allegro molto e vivace, C minor, 3/4, and cast as a compound terna
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20 Dec 2025 Views 266
Beethoven Piano Sonata No. 13 in E-flat Major, Op.27 No.1 (“Quasi una fantasia”) First Movement Analysis
The movement is cast in a compound ternary design A–B–A. The three parts carry differen
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17 Dec 2025 Views 167
Beethoven Piano Sonata No. 12 in A-flat Major, Op.26 Fourth Movement Analysis
The fourth movement is a rondo in 2/4, A♭ major, laid out as A–B–A–C–A&ndas
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13 Dec 2025 Views 249
Beethoven Piano Sonata No. 12 in A-flat Major, Op.26 Third Movement Analysis
The third movement begins in A♭ minor and is cast in a compound ternary form, A–B–A&pri
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13 Dec 2025 Views 183
Beethoven Piano Sonata No. 12 in A-flat Major, Op.26 Second Movement Analysis
The second movement is a scherzo in compound ternary form A–B–A. The key is A♭ major, t
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10 Dec 2025 Views 336
Beethoven Piano Sonata No. 12 in A-flat Major, Op.26 First Movement Analysis
Beethoven’s Piano Sonata No. 12 is the first among his middle-period piano sonatas and has fo
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30 Nov 2025 Views 1981
Beethoven Piano Sonata No. 11 in B-flat Major, Op.22 Fourth Movement Analysis
The fourth movement is an allegretto in B-flat major, 2/4, laid out as a sonata-rondo: A–B&nd
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27 Nov 2025 Views 642
Beethoven Piano Sonata No. 11 in B-flat Major, Op.22 Third Movement Analysis
The third movement is a menuetto in B-flat major, 3/4, laid out in a compound ternary form A–
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24 Nov 2025 Views 490
Beethoven Piano Sonata No. 11 in B-flat Major, Op.22 Second Movement Analysis
The second movement is an Adagio in E-flat major, 9/8, laid out in sonata form. As with many of Bee
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22 Nov 2025 Views 555
Beethoven Piano Sonata No. 11 in B-flat Major, Op.22 First Movement Analysis
The first movement is in sonata form with well-balanced exposition–development–recapitu
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21 Nov 2025 Views 2221